Sunday, April 29, 2012

Miles Carpenter




Image of Miles Carpenter portrait courtesy of Myrna at "My Enchanted Home"









Carpenter Museum display case image courtesy of Myrna at "My Enchanted Home"





Image of Miles Carpenter's back porch courtesy of Myrna at "My Enchanted Home"



Background Information


Miles Carpenter (1889-1985) of Waverly has the widest name recognition among area woodcarvers.  His folk art includes birds and small animals as well as intricate displays of moving figures, scenes, eccentric figures, watermelons, and his self-described root monsters.  As with many folk artists, Biblical references such as Adam and Eve as well as the devil are common.  A few pieces are surprisingly modern in design.
 

Meeting Miles Carpenter


First introduced to Miles Carpenter in 1980, this writer was more than impressed by his work ethic and good humor – and especially his work.  In 1981, as sponsor of the student newspaper at Tidewater Academy, he organized a group of students who visited and interviewed Mr. Carpenter.  The man and his art fascinated the students, and it was obvious that Mr. Carpenter thoroughly enjoyed showing his work to the group.  He displayed a childish delight when operating his interactive pieces such as the sow suckling her piglets, the squirrel that ran up a tree, and the four-and-twenty blackbirds baked in a pie.  All were made of wood.

Early History and Arrival in Waverly


Miles Carpenter arrived in Waverly with his mother and father (Wayne M. and Elizabeth Burkholder Carpenter) and siblings in 1902.  He was born in 1889, the eighth of eleven children in a Mennonite family, near Brownstown in Lancaster County, Pennsylvania.  His father raised cattle and grew corn, hay, tobacco, and wheat on his farm.  As a sideline, he manufactured cigars.  In 1912, his father sold many of their possessions in preparation for a move to Virginia.  Furniture, necessities, and farm equipment (including wagons and buggies) were loaded on two boxcars for a one-day rail journey to Waverly.  The train trip took them down the Eastern Shore and then across the Chesapeake Bay on a rail ferry – during a storm.  His brother Lee had the harrowing experience of riding with the cattle in a cattle car to Waverly – a one-week trip.

Sawmill, Ice Plant, Open Air Theatre, Marriage


His father bought a sawmill to produce lumber he would need to build a barn, outbuildings, and to expand the house for his large family.  In 1912, Miles Carpenter felt the need to work for himself and established his own sawmill.  Ever industrious, he also ran an ice plant in conjunction with the sawmill.  Another enterprise was operation of an open-air movie theatre in a vacant lot across Route 460 from his house.  He married Elizabeth Stahl from Pennsylvania in 1915.

Near-fatal Accident


In 1917, Carpenter was nearly killed about 2 p.m. one afternoon in October when a heavy piece of wood was thrown into his face by the saw, breaking his left jaw and eye socket.  Unconscious, he was accompanied by a doctor to Richmond, but they had to wait for the 5 p.m. train.  At the hospital, he was taken to the basement where he was expected to die.  Only after he showed signs of improvement the next day was he taken to the operating room.  He was hospitalized for five weeks.

Such tenacity accompanied him throughout life.


Long-lasting Tires


Also frugality:  In 1955, he bought a set of Allstate tires for his car from a Petersburg Sears dealer.  They lasted twenty-one years and 35,000 miles.  When the dealer heard about this and inquired, Carpenter was able to produce the original receipt.  He was given a new set of free tires by the store.

Early Woodcarvings and Roadside Stand

 

Note the bull, now in the Smithsonian Institution.         
         



During idle periods at the sawmill, Carpenter carved small animals.  His dedication to woodcarving increased around 1940 when his wife admired a bear and encouraged him to make more.  After he retired from the sawmill in 1955, he continued to sell ice, soft drinks, and vegetables at his roadside stand.  His wife’s death in 1966 was devastating, but after a period of mourning, he re-devoted himself to woodcarving.  As before, some of his figures were used to attract customers.  Carpenter backed his truck up to the road and filled it with an odd assortment of his work – fanciful animals and unusual people.





Woodcarvings as Companions

 

 

Throughout the Waverly area, Miles Carpenter was well known and accepted, despite his eccentric nature.  After his wife’s death, Carpenter was accompanied in his 1951 Chevrolet Delux by Lena Wood (one of his creations wearing his late wife’s clothes) and occasional other characters, including Indian Woman (who also wore his wife’s clothing), an Indian man (considered a self portrait), and a boy.  Some theorize this group represented Carpenter and his family.



 Favorite Carving




His favorite carving, a sleek greyhound accompanied a stylishly dressed woman, was patterned after a 1940s Greyhound Bus Line advertisement.  (In 1980, he offered this sculpture for sale for $400 – unfortunately out of reach of this writer at the time.  Worth many times that price now, it is now in the permanent collection at the Carpenter Museum in Waverly.)
 

Becoming Famous


A 200-pound wooden watermelon attracted the attention of a representative of the Abby Aldrich Folk Art Museum in Williamsburg.  Later, Jeffrey Camp became an admirer of his work and then his agent.

Even in 1981, Mr. Carpenter felt the influence of fame.  It was apparent that his work developed a more manufactured look that was less three-dimensional.  He started making copies of previous work, including the woman and greyhound.  He began making many small birds, each requiring four to five hours of work.  Besides watermelon slices and monkey dogs, he is also well known for his root monsters made from twisted and gnarled tree roots.


 




“I just manufacture ’em, that’s all.  Those monsters just come out of my head.”

Another apt quote:  “There’s something in there, under the surface of every piece of wood. You don’t need no design ’cause it’s right there, you just take the bark off and if you do it good you can find something.”

Miles Carpenter died in 1985 at the age of ninety-six.  His home is now operated as a museum and is located near the intersection of Routes 40 and 460 in Waverly, Virginia.

His work is also exhibited in private collections and museums across the country, including the Smithsonian Institution.  Rarely do individual pieces become available for sale.


Sources


Ashworth, Anne.  "Miles Carpenter."  Tidewater Times [Wakefield, Virginia] 28 May 1981, sec. Arts: 5-8.  Print.

Associated Press.  "Noted Carver, Whittler Miles Carpenter Dies."  Daily Press [Newport News, Virginia] 8 May 1985, sec. D: 3.  Print.

Brewster, Todd.  "Fanciful Art of Plain Folk."  LIFE June 1980: 112-122.  Print.

Carpenter, Miles B.  Cutting the Mustard.  Tappahannock, Virginia: American Folk Art Company, 1982.  Print.

Friddell, Guy.  "Woodcarver Was a Sculptor at Heart."  Virginian-Pilot [Norfolk, Virginia] 11 May 1985, sec. B: 1, 4.  Print.

Gregson.  "Folk Art: Folk Sculpture: Devil on a Root Monster."  Luce Foundation Center For American Art.  Smithsonian American Art Museum, n.d.  Web. <http://americanart.si.edu/luce/object.cfm?key=338&artistmedia=0&subkey=184671>. 

Hartigan, Lynda R. "Biography (Miles Carpenter)."  Smithsonian American Art Museum.  Smithsonian Institution, n.d.  Web. <http://americanart.si.edu/collections/search/artist/?id=753>. 
  
Malone, Jann.  "Folk Art: Folk Sculpture: Bull's Head."  Luce Foundation Center For American Art.  Smithsonian American Art Museum, n.d.  Web. <http://americanart.si.edu/luce/object.cfm?key=338&artistmedia=0&subkey=369>.

Mathis, James L.  "Folk Art: Folk Sculpture: Monkey Dog."  Luce Foundation Center For American Art.  Smithsonian American Art Museum, n.d.  Web. <http://americanart.si.edu/luce/object.cfm?key=338&artistmedia=0&subkey=1483>. 

Times-Dispatch Staff.  "Miles Carpenter, Famous Folk Artist from Waverly, Dies." Richmond Times-Dispatch [Richmond, Virginia] 8 May 1985, sec. Area: 2.  Print.

Yancey, Shirley.  Telephone conversation.  16 Feb. 2012.


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