Monday, April 30, 2012

Everett Mayo


Boxer Turned Folk Artist


A former heavyweight boxer known as The Tornado, Everett Mayo was born in Roanoke, Virginia in 1959.  As a boxer, he was based in Richmond.  His parents, Mr. and Mrs. Tilton Washington, live in Elberon.  Mayo began boxing in the army and continued boxing in a professional capacity after leaving the military.  His boxing career was cut short by a construction accident that left him legally blind in one eye.  After retiring from boxing, Mayo returned to his love of art and started producing folk art using pieces of driftwood found on riverbanks. Looking for shapes in the wood, Mayo paints birds, fish, and other animals as well as human figures.  Basically, he uses the wood as it is found rather than carving it.  His pieces range from small figures to a six-foot tall giraffe and a seven-foot long shark.




The first showing of his work was in 1993; he has since exhibited in several museums.  He participated in the Virginia Art Residency program and also provided art workshops for children in Central and Western Virginia as well as St. Helena, South Carolina.  Mayo also appeared on Gullah Gullah Island, a Nickelodeon program, with a segment highlighting his art and creativity.   He now makes his home in Galveston, Texas with his wife Sarah.



Everett Mayo Assists Children at Driftwood Workshop




Examples of Everett Mayo's Folk Art











Sources


"Driftwood Sculptures by Everett Mayo."  Lordofthewood.com.  Everett Mayo, n.d.  Web.  <http://www.lordofthewood.com/>.

Mayo, Everett.  Brochure.  Undated.

Sunday, April 29, 2012

Miles Carpenter




Image of Miles Carpenter portrait courtesy of Myrna at "My Enchanted Home"









Carpenter Museum display case image courtesy of Myrna at "My Enchanted Home"





Image of Miles Carpenter's back porch courtesy of Myrna at "My Enchanted Home"



Background Information


Miles Carpenter (1889-1985) of Waverly has the widest name recognition among area woodcarvers.  His folk art includes birds and small animals as well as intricate displays of moving figures, scenes, eccentric figures, watermelons, and his self-described root monsters.  As with many folk artists, Biblical references such as Adam and Eve as well as the devil are common.  A few pieces are surprisingly modern in design.
 

Meeting Miles Carpenter


First introduced to Miles Carpenter in 1980, this writer was more than impressed by his work ethic and good humor – and especially his work.  In 1981, as sponsor of the student newspaper at Tidewater Academy, he organized a group of students who visited and interviewed Mr. Carpenter.  The man and his art fascinated the students, and it was obvious that Mr. Carpenter thoroughly enjoyed showing his work to the group.  He displayed a childish delight when operating his interactive pieces such as the sow suckling her piglets, the squirrel that ran up a tree, and the four-and-twenty blackbirds baked in a pie.  All were made of wood.

Early History and Arrival in Waverly


Miles Carpenter arrived in Waverly with his mother and father (Wayne M. and Elizabeth Burkholder Carpenter) and siblings in 1902.  He was born in 1889, the eighth of eleven children in a Mennonite family, near Brownstown in Lancaster County, Pennsylvania.  His father raised cattle and grew corn, hay, tobacco, and wheat on his farm.  As a sideline, he manufactured cigars.  In 1912, his father sold many of their possessions in preparation for a move to Virginia.  Furniture, necessities, and farm equipment (including wagons and buggies) were loaded on two boxcars for a one-day rail journey to Waverly.  The train trip took them down the Eastern Shore and then across the Chesapeake Bay on a rail ferry – during a storm.  His brother Lee had the harrowing experience of riding with the cattle in a cattle car to Waverly – a one-week trip.

Sawmill, Ice Plant, Open Air Theatre, Marriage


His father bought a sawmill to produce lumber he would need to build a barn, outbuildings, and to expand the house for his large family.  In 1912, Miles Carpenter felt the need to work for himself and established his own sawmill.  Ever industrious, he also ran an ice plant in conjunction with the sawmill.  Another enterprise was operation of an open-air movie theatre in a vacant lot across Route 460 from his house.  He married Elizabeth Stahl from Pennsylvania in 1915.

Near-fatal Accident


In 1917, Carpenter was nearly killed about 2 p.m. one afternoon in October when a heavy piece of wood was thrown into his face by the saw, breaking his left jaw and eye socket.  Unconscious, he was accompanied by a doctor to Richmond, but they had to wait for the 5 p.m. train.  At the hospital, he was taken to the basement where he was expected to die.  Only after he showed signs of improvement the next day was he taken to the operating room.  He was hospitalized for five weeks.

Such tenacity accompanied him throughout life.


Long-lasting Tires


Also frugality:  In 1955, he bought a set of Allstate tires for his car from a Petersburg Sears dealer.  They lasted twenty-one years and 35,000 miles.  When the dealer heard about this and inquired, Carpenter was able to produce the original receipt.  He was given a new set of free tires by the store.

Early Woodcarvings and Roadside Stand

 

Note the bull, now in the Smithsonian Institution.         
         



During idle periods at the sawmill, Carpenter carved small animals.  His dedication to woodcarving increased around 1940 when his wife admired a bear and encouraged him to make more.  After he retired from the sawmill in 1955, he continued to sell ice, soft drinks, and vegetables at his roadside stand.  His wife’s death in 1966 was devastating, but after a period of mourning, he re-devoted himself to woodcarving.  As before, some of his figures were used to attract customers.  Carpenter backed his truck up to the road and filled it with an odd assortment of his work – fanciful animals and unusual people.





Woodcarvings as Companions

 

 

Throughout the Waverly area, Miles Carpenter was well known and accepted, despite his eccentric nature.  After his wife’s death, Carpenter was accompanied in his 1951 Chevrolet Delux by Lena Wood (one of his creations wearing his late wife’s clothes) and occasional other characters, including Indian Woman (who also wore his wife’s clothing), an Indian man (considered a self portrait), and a boy.  Some theorize this group represented Carpenter and his family.



 Favorite Carving




His favorite carving, a sleek greyhound accompanied a stylishly dressed woman, was patterned after a 1940s Greyhound Bus Line advertisement.  (In 1980, he offered this sculpture for sale for $400 – unfortunately out of reach of this writer at the time.  Worth many times that price now, it is now in the permanent collection at the Carpenter Museum in Waverly.)
 

Becoming Famous


A 200-pound wooden watermelon attracted the attention of a representative of the Abby Aldrich Folk Art Museum in Williamsburg.  Later, Jeffrey Camp became an admirer of his work and then his agent.

Even in 1981, Mr. Carpenter felt the influence of fame.  It was apparent that his work developed a more manufactured look that was less three-dimensional.  He started making copies of previous work, including the woman and greyhound.  He began making many small birds, each requiring four to five hours of work.  Besides watermelon slices and monkey dogs, he is also well known for his root monsters made from twisted and gnarled tree roots.


 




“I just manufacture ’em, that’s all.  Those monsters just come out of my head.”

Another apt quote:  “There’s something in there, under the surface of every piece of wood. You don’t need no design ’cause it’s right there, you just take the bark off and if you do it good you can find something.”

Miles Carpenter died in 1985 at the age of ninety-six.  His home is now operated as a museum and is located near the intersection of Routes 40 and 460 in Waverly, Virginia.

His work is also exhibited in private collections and museums across the country, including the Smithsonian Institution.  Rarely do individual pieces become available for sale.


Sources


Ashworth, Anne.  "Miles Carpenter."  Tidewater Times [Wakefield, Virginia] 28 May 1981, sec. Arts: 5-8.  Print.

Associated Press.  "Noted Carver, Whittler Miles Carpenter Dies."  Daily Press [Newport News, Virginia] 8 May 1985, sec. D: 3.  Print.

Brewster, Todd.  "Fanciful Art of Plain Folk."  LIFE June 1980: 112-122.  Print.

Carpenter, Miles B.  Cutting the Mustard.  Tappahannock, Virginia: American Folk Art Company, 1982.  Print.

Friddell, Guy.  "Woodcarver Was a Sculptor at Heart."  Virginian-Pilot [Norfolk, Virginia] 11 May 1985, sec. B: 1, 4.  Print.

Gregson.  "Folk Art: Folk Sculpture: Devil on a Root Monster."  Luce Foundation Center For American Art.  Smithsonian American Art Museum, n.d.  Web. <http://americanart.si.edu/luce/object.cfm?key=338&artistmedia=0&subkey=184671>. 

Hartigan, Lynda R. "Biography (Miles Carpenter)."  Smithsonian American Art Museum.  Smithsonian Institution, n.d.  Web. <http://americanart.si.edu/collections/search/artist/?id=753>. 
  
Malone, Jann.  "Folk Art: Folk Sculpture: Bull's Head."  Luce Foundation Center For American Art.  Smithsonian American Art Museum, n.d.  Web. <http://americanart.si.edu/luce/object.cfm?key=338&artistmedia=0&subkey=369>.

Mathis, James L.  "Folk Art: Folk Sculpture: Monkey Dog."  Luce Foundation Center For American Art.  Smithsonian American Art Museum, n.d.  Web. <http://americanart.si.edu/luce/object.cfm?key=338&artistmedia=0&subkey=1483>. 

Times-Dispatch Staff.  "Miles Carpenter, Famous Folk Artist from Waverly, Dies." Richmond Times-Dispatch [Richmond, Virginia] 8 May 1985, sec. Area: 2.  Print.

Yancey, Shirley.  Telephone conversation.  16 Feb. 2012.


Saturday, April 28, 2012

Colonial Williamsburg Public Hospital




Abby Aldrich Rockefeller Folk Art Museum


DeWitt Wallace Decorative Arts Museum



Just across the James River from Surry County, one of the largely unrecognized gems in the region is Colonial Williamsburg’s pair of museums located in the reconstructed Public Hospital of 1773.  Located at the intersection of South Henry and Francis Streets near Merchants Square, it houses both the DeWitt Wallace Decorative Arts Museum and the Abby Aldrich Rockefeller Folk Art Museum.  Both are world-class facilities.  The DeWitt Wallace Museum features Colonial-period furniture, household items, and an extensive collection of silver service items.

According to the Abby Aldrich Rockefeller Folk Art Museum website, “Colonial and contemporary artists and craftspeople work outside the mainstream of academic art to record aspects of everyday life, making novel and effective use of the materials at hand. Bold colors, simplified shapes, and imaginative surface patterns can be seen in the variety of paintings, carvings, toys, needlework they create.  The Folk Art Museum offers changing exhibitions of American folk art from its permanent holdings and museum loan shows.”

Source


"The Abby Aldrich Rockefeller Folk Art Museum."  Colonial Williamsburg.  The Colonial Williamsburg Foundation, n.d.  Web. <http://www.history.org/history/museums/abby_art.cfm>. 

Historical Background of Folk Art

 

 

Including Types of Folk Art


Far earlier than any historical records, humans have used an inner creativity to depict objects and to decorate objects around them.  This non-academic art has evolved into what is today commonly called folk art.  William Ketchum who, as of 2009, was on the faculty of the Folk Art Institute and very active at the Museum of American Folk Art in New York City, describes folk art as being represented by many often unrelated media.  





Besides woodcarving, Ketchum includes non-academic portraits as well as painting on various surfaces including furniture, wagons, signs, as well as houses.  Silhouettes may be considered folk art.  Sculptural forms include figureheads on ships, human forms such as tobacco-related Indians, etc., and toys for children.  Also included are models of ships and dollhouses.  Even everyday items such as baskets and boxes are often considered to be folk art.  Old fishing lures may also be folk art.

Anyone who watches Antiques Roadshow on PBS-TV is aware of the considerable value of antique stitched samplers done by young girls.  Although these samplers are often done under the instruction of adults, the samplers are considered to be folk art.  Quilts and rugs represent other categories of textiles.

Folk art consists of items that are useful as well as those created just for the sake of novelty.  Weathervanes and walking canes have purposes, but they may be intricately designed, purely decorative, or simple and utilitarian.  Whirligigs and other wind-related items are as varied as their creators.  Many folk art items have patriotic or religious themes.

Animals are a frequent folk art subject matter; these may include cast iron figures such as banks, doorstops, and andirons.  It is well known that duck and goose decoys are highly collectible and often quite valuable.  Less well known is that gravestones and sailors’ carvings are often considered to be folk art.

Woodcarving and items made with wood by folk artists with ties to the Western Tidewater region of southeast Virginia will be the area of exploration of this report.

Sources


Lewis, Charles.  "What’s in a Name: What Is an Outsider Artist?"  Lewis.  Charles Lewis, n.d.  Web.  <http://www.charleslewisart.com/blog/entry/whats-in-a-name-what-is-an-outsider-artist/>.
 
Ketchum, Jr., William C.  American Folk Art.  New York, NY: New Line Books Limited, 2009.  Print.
 

Beginnings

 

Reasons for this Blog


This blog is a result of research done for a humanities course (with an art designation) for teacher re-certification.  Special thanks go to the instructor F.H. who supplied advice and encouragement.  Posting course research online should assist the Virginia Department of Education in assessing the value of this course.  Initial research concentrated on folk artists with ties to the Western Tidewater area of Southeast Virginia.  This blog will not be limited to that area.

Invitation to Folk Artists across the USA


Additionally, it is hoped that folk artists will find this blog and be encouraged to submit profiles as well as descriptions and photographs of their work.  (Please limit photographs to no larger than 300 kb.)  This blog is not intended as a forum for sales.  Prices will not be posted.  Anyone wanting to sell items will have to do so privately and directly using other channels of communication.